Nonetheless,Ĭhurch’s paintings are widely sought after today with his work enjoying somewhat of a renaissance Throughout his career, but towards the end of his life his popularity dwindled. He enjoyed a great deal of critical and financial success A shimmering saint, St.This financial comfort, of course allowed him to indulge his penchant for art at a young age.įamous for his enormous and meticulously detailed canvases, Church is perhaps the best known of.A Renaissance miniature in wood and feathers.Bernardino de Sahagún and Indigenous collaborators, Florentine Codex.Images of Africans in the Codex Telleriano Remensis and Codex Azcatitlan.Murals from New Spain, San Agustín de Acolman.A new Jerusalem in the Americas-the convento of Acolman.The Convento of San Nicolás de Tolentino, Actopan, Hidalgo.Mission churches as theaters of conversion in New Spain.Puebla de los Ángeles and the classical architectural tradition.Classical Architecture in Viceregal Mexico.Hispaniola’s early colonial art, an introduction.Defensive saints and angels in the Spanish Americas.Prints and Printmakers in Colonial New Spain.Northwest Coast Basketry-Woven Traditions.Clarissa Rizal (Tlingit), Resilience Robe.Dorica Jackson, Diving Whale Chilkat Robe.Tlingit Oyster Man totem pole, Saxman Totem Park.Tlingit Proud Raven totem pole, Saxman Totem Park.Tlingit mortuary and memorial totem poles.Bentwood Boxes of the Northwest Coast peoples.The pueblo modernism of Ma Pe Wi (Puebloan).Julian Martinez (Puebloan), Buffalo Dancers.Maria Martinez (Puebloan), Black-on-black ceramic vessel.Nampeyo (Hopi-Tewa), Polacca polychrome water jar.Mission Church, San Esteban del Rey, Acoma Pueblo.Pueblo architecture and its relationship to place.Brummett Echohawk (Pawnee), An Island of Redbuds on the Cimarron.Carrie Bethel (Mono Lake Paiute), Basket bowl.Henry Oscar One Bull (Hunkpapa Lakota), Custer’s War.

Nellie Two Bear Gates (Iháƞktȟuƞwaƞna Dakhóta, Standing Rock Reservation), Suitcase.Mató Nájin/Standing Bear (Minneconjou Lakota/Teton Sioux), Battle of Little Bighorn.Eastern Shoshone: Hide Painting of the Sun Dance, attributed to Cotsiogo (Cadzi Cody).Juana Basilia Sitmelelene, Presentation Basket (Chumash).Global trade and an 18th-century Anishinaabe outfit.Central American art in context: an origin story of the Bribri people.Mirror Pendant in the Form of a Bat-Human From Grave 5, Sitio Conte.Remembering the Toxcatl Massacre: The Beginning of the End of Aztec Supremacy.Stone kneeling figure of Chalchiuhtlicue.The House of the Eagles, and sculptures of Mictlantecuhtli and Eagle Warrior.The Sun Stone (or The Calendar Stone) (Aztec).The Templo Mayor and the Coyolxauhqui Stone.Yaxchilán-Lintels 24 and 25 from Structure 23 and structures 33 and 40.The Mesoamerican ballgame and a Classic Veracruz yoke.Pyramid of the Moon and Pyramid of the Sun.Rock paintings of Sierra de San Francisco.Olmec mask at The Metropolitan Museum of Art.Olmec mask (offering 20 from the Templo Mayor).Mesoamerican art in context: an excerpt from an origin story (Popol Vuh).Late pre-classic Mesoamerica, an introduction.Camelid sacrum in the shape of a canine.Paquimé (Casas Grandes), Mogollon culture.Mississippian shell neck ornament (gorget).Fort Ancient Culture: Great Serpent Mound.Teresita Fernández on Precolumbian gold.Terms and Issues in Native American Art.About geography and chronological periods in Native American art.African religious culture in the Atlantic world.Introduction to the Spanish Viceroyalties in the Americas.Defining “Pre-Columbian” and “Mesoamerica”.Elena FitzPatrick Sifford on casta paintingsīIPOC Reader: Teaching Practices and Strategies with…įrancisco Oller and the Puerto Rican landscape…

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With 503 contributors from 201 colleges, universities, museums, and researchĬenters, Smarthistory is the most-visited art history resource in the world. We believe that the brilliant histories of art belong to everyone, no matter their background. At Smarthistory, the Center for Public Art History, we believe art has the power to transform lives and to build understanding across cultures.

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